Before you start work on any design and layout, make certain that your Quark document is set at the appropriate trim dimension for your project (or download pre-made templates here). The “trim size” is the final dimension that your printing job will be cut to (before any folding, if needed). An additional 1/8” “bleed” is required wherever design elements touch the edge of your trim dimension. This means that any element that touches the trim edge must be allowed to extend past the trim edge by at least 1/8”. This assures a safety margin during the post production trimming of your project to assure that your bleed elements remain touching the trim edge without any white, unprinted gaps between the bleed element and the trim edge. If you have any design elements (including borders) that come too close to the trim edge, and you do not intend for them to touch the trim edge, then you must “back it away” from the trim edge by at least 1/8”.

One typical mistake is design is the use of type or hairlines that do not print well and thus wind up being illegible. To avoid this mistake, shy away from type sizes smaller than 6 pts and lines (rules) thinner than .25pt.

• Type smaller than 6 pts becomes difficult to read anyway, and finer details may be difficult to hold on press anyway. Typical body copy should run between 9 and 12 pts in size for maximum readability.
• Be careful when using “reversed out” copy (ie: text that is a light color running across a darker area). Because the darker area tends to bleed into the lighter text area on press, it is recommended that you use at least 6 pt type, and sans serif fonts, in these instances.

Hairlines thinner than .25 points may not show up when printed. To select a thickness other than standard set widths in Quark, select “Other” under “Width” and type in any value greater than .25 pt.

When using images within your design, it is very important that you use the best quality images and color spaces possible.

• Resolution: Be certain to use image resolutions 300 dpi (or ppi) or better for color and grayscale images (otherwise known as “halftone” images), and 1,200 dpi (or ppi) for bitmap images (otherwise known as “line art”). Click here for more information on image resolution.
• Image quality: Use non-compressed file formats such as TIFF, EPS or native Photoshop files when possible (without compression settings). If you need to use a compressed file format like JPEG in your design, make sure the image is saved with “Maximum Quality” settings. This will prevent loss of image quality during the compression process.
• 4/4 and 4/1: The use of 4-color process (CMYK) on both sides of your print job is referred to as “4/4” (pronounced “four over four”). The use of 4-color process on the front side of your job, but grayscale or black and white on the back side is called “4/1” (pronounced “four over one”).
• 4-color Process (CMYK): When using color or color images in your design and layout, be certain to use CMYK values instead of RGB. CMYK (Cyan, Magenta, Yellow and Black “K”) is the color space that printers use to run your job. If you have an image that is RGB, like images that come from your digital camera or scanner, you must convert them to CMYK first before placing into your design.

When using black elements in your 4-color design, it is best to you use a “rich black,” which is a black composed of all four process colors. This gives your black a deeper, darker shade of black on press. It is best to use rich blacks in larger areas of black, such as thick black borders, headline type and shapes. It is still preferable to use 100% black for body copy (text).

To achieve rick blacks, create a color swatch or assign a process color with the following CMYK combinations: Cyan = 60%, M = 40%, Y = 20%, K = 100%.

Even though a “normal” black may appear as dark as you wish on screen, it may not come out as dark and rich on press. Use the “rich” black to be certain. Here is an example of setting the CMYK sliders in Photoshop’s color palette.

In Quark 5, make sure that the OPI is “off” or unchecked for all images in your layout. Go to Utilities > Usage and check the “OPI” tab to confirm.

When you are ready to send your finished Quark document, you will need to “Collect for Output” (see below). This will make a copy of your Quark document and all linked images into a new folder (name your folder using your PO# and project name).

Once you have successfully completed the “Collect for Output,” you will need to find the new folder on your desktop. Once you are there, create a new folder for “Images” and a new folder for “Fonts.” Move all your image files in the collected folder into the “ Images” folder and then make COPIES of all the font files used in your Quark document into your “ fonts” folder (to determine which fonts you used, refer to the “Font Usage” step above. Make sure that you supply all screen and printer font files for your fonts (if using Postscript fonts) and all TT font files (if you are using TrueType fonts)

Compress And Send Your File

Compression: After you have successfully saved your file, we prefer that you compress your file using Stuffit or ZIP (Aladdin DropStuff or Stuffit Deluxe (Mac) or WinZip (PC). This will not only optimize the file size for faster upload through FTP, but will ensure that your file is protected during transit. NOTE: When creating your SIT or ZIP file, please include the PO# and Project name in the filename.

File Transfer:After you have successfully compressed your file, and placed your order, you will have the option to upload your file through our Web site. Follow the instructions accordingly.